CIA Weaponizes Hollywood

The campaign of aggression against North Korea, from the hacking of Sony and the crescendo of noise over the film, The Interview, bears all the markings of a CIA false flag operation.

The hacking and alleged threats to moviegoers has been blamed entirely on North Korea, without a shred of credible evidence beyond unsubstantiated accusations by the FBI. Pyongyang’s responsibility has not been proven. But it has already been officially endorsed, and publicly embraced as fact.

The idea of “America under attack by North Korea” is a lie.

The actual individuals of the mysterious group responsible for the hacking remain conveniently unidentified. A multitude of possibilities—Sony insiders, hackers-for-hire, generic Internet vandalism—have not been explored in earnest. The more plausible involvement of US spying agencies—the CIA, the NSA, etc. , their overwhelming technological capability and their peerless hacking and surveillance powers—remains studiously ignored.

Who benefits? It is illogical for Pyongyang to have done it. Isolated, impoverished North Korea, which has wanted improved relations with the United States for years (to no avail), gains nothing by cyberattacking the United States with its relatively weak capabilities, and face the certainty of overwhelming cyber and military response. On the other hand, Washington benefits greatly from any action that leads to regime change in North Korea.

But discussion about Pyongyang’s involvement—or lack of—risks missing the larger point.

This project, from the creation of The Interview to the well-orchestrated international incident, has been guided by the CIA, the Pentagon, and the State Department from the start. It is propaganda. It is a weapon of psychological warfare. It is an especially perverted example of military-intelligence manipulation of popular culture for the purpose of war.

There is nothing funny about any of it.

The Interview was made with the direct and open involvement of CIA and Rand Corporation operatives for the express purpose of destabilizing North Korea. Star and co-director Seth Rogen has admitted that he worked “directly with people who work in the government as consultants, who I’m convinced are in the CIA”. Originally conceived to be a plot taking place in an “unnamed country”, Sony Pictures co-chairman Michael Lynton, who also sits on the board of the Rand Corporation, encouraged the film makers to make the movie overtly about murdering Kim Jong-Un. Bruce Bennett, the Rand Corporation’s North Korean specialist, also had an active role, expressing enthusiasm that the film would assist regime change and spark South Korean action against Pyongyang. Other government figures from the State Department, even operatives connected to Hillary Clinton, read the script.

By Larry Chin – Global Research –

Sony Hackers Threaten 9/11 Attack on Movie Theaters That Screen ‘The Interview’

The Sony hackers have threatened a 9/11-like attack on movie theaters that screen Seth Rogen and James Franco’s North Korean comedy “The Interview,” substantially escalating the stakes surrounding the release of the movie.

The attackers also released the promised “Christmas gift” of files. The contents of the files are unknown but it’s called “Michael Lynton,” who is the CEO of Sony Pictures Entertainment.

“The world will be full of fear,” the message reads. “Remember the 11th of September 2001. We recommend you to keep yourself distant from the places at that time. (If your house is nearby, you’d better leave.) Whatever comes in the coming days is called by the greed of Sony Pictures Entertainment.”

Past messages have included budgets to Sony films, salary information of top executives, and employee medical records and social security numbers.

There have been suspicions that the attack may have been launched by North Korea in retaliation for “The Interview’s” depiction of an assassination attempt on Kim Jong-un. The country has denied involvement but praised the attacks.

The note also threatens people who attend the premiere of “The Interview.” A New York premiere of the film is scheduled to take place Thursday at Sunshine Cinema and has already been scaled down, according to a report in the New York Post. A special screening of the film took place in Los Angeles last week without incident.

By Brent Lang – Variety.com –