The campaign of aggression against North Korea, from the hacking of Sony and the crescendo of noise over the film, The Interview, bears all the markings of a CIA false flag operation.
The hacking and alleged threats to moviegoers has been blamed entirely on North Korea, without a shred of credible evidence beyond unsubstantiated accusations by the FBI. Pyongyang’s responsibility has not been proven. But it has already been officially endorsed, and publicly embraced as fact.
The idea of “America under attack by North Korea” is a lie.
The actual individuals of the mysterious group responsible for the hacking remain conveniently unidentified. A multitude of possibilities—Sony insiders, hackers-for-hire, generic Internet vandalism—have not been explored in earnest. The more plausible involvement of US spying agencies—the CIA, the NSA, etc. , their overwhelming technological capability and their peerless hacking and surveillance powers—remains studiously ignored.
Who benefits? It is illogical for Pyongyang to have done it. Isolated, impoverished North Korea, which has wanted improved relations with the United States for years (to no avail), gains nothing by cyberattacking the United States with its relatively weak capabilities, and face the certainty of overwhelming cyber and military response. On the other hand, Washington benefits greatly from any action that leads to regime change in North Korea.
But discussion about Pyongyang’s involvement—or lack of—risks missing the larger point.
This project, from the creation of The Interview to the well-orchestrated international incident, has been guided by the CIA, the Pentagon, and the State Department from the start. It is propaganda. It is a weapon of psychological warfare. It is an especially perverted example of military-intelligence manipulation of popular culture for the purpose of war.
There is nothing funny about any of it.
The Interview was made with the direct and open involvement of CIA and Rand Corporation operatives for the express purpose of destabilizing North Korea. Star and co-director Seth Rogen has admitted that he worked “directly with people who work in the government as consultants, who I’m convinced are in the CIA”. Originally conceived to be a plot taking place in an “unnamed country”, Sony Pictures co-chairman Michael Lynton, who also sits on the board of the Rand Corporation, encouraged the film makers to make the movie overtly about murdering Kim Jong-Un. Bruce Bennett, the Rand Corporation’s North Korean specialist, also had an active role, expressing enthusiasm that the film would assist regime change and spark South Korean action against Pyongyang. Other government figures from the State Department, even operatives connected to Hillary Clinton, read the script.
By Larry Chin – Global Research –